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b. 1977, Port Elizabeth
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Group exhibitions include: Style Congo: Heritage and Heresy at CIVA Museum & Archive (Brussels, 2023), Overwhelmed at the UJ Art Gallery (Johannesburg, 2023), AMBERES at M KHA Museum of Contemporary Art (Antwerp, 2019), Future Africa: Visions in Time at the National Museums of Kenya (Nairobi, 2017) and Iwalewa-Haus (Bayreuth, 2015), The Global Contemporary: Art Worlds after 1989 at ZKM |Centre for Art and Media (Karlsruhe, 2011), Performa 09, facilitated by the Museum for African Art (New York, 2009), the African Pavilion at the 52nd Venice Biennale (Venice, 2007) and the 1st Architecture, Art and Landscape Biennale of the Canaries (Tenerife, 2006). Solo exhibitions include: Concrete Ecologies at PULP (Johannesburg, 2022), Matterings at TPO (Johannesburg, 2017), Open Endings at TTTT (Ghent, 2015), 2,000 Meters Above the Sea at CHR (Johannesburg, 2012), Double-Sided Accumulated at Extraspazio (Rome, 2010), False Friends at Kunstverein (Amsterdam, 2010) and Open Studio at Cortex Athletico (Bourdeaux, 2007).
Ruth has worked with edition ~ verso in various print and papermaking projects. The first of which, Kind, saw the production of handmade paper for the publication that accompanied a series of polymer gravure prints installed at the Jooubert Park Greenhouse in Johannesburg. Later Ruth commissioned edition ~ verso to produce a large-scale print on handmade paper for her exhibition Concrete Ecologies. Most recently, edition ~ verso printed a series of gravure prints for Ruth’s body of work, Neo-Tektites (2024).